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Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists. |
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WEYDEN, Rogier van der
Netherlandish Northern Renaissance Painter, ca.1400-1464
major early Flemish master, known also as Roger de la Pasture. He is believed to have studied with Robert Campin. His early works also show the influence of Jan van Eyck. Van Eyck, however, had been a master at objective rendering of detail, whereas Roger in his work portrayed emotions with an assurance that has not been surpassed. His ability to depict piety is reflected in the early masterpiece Descent from the Cross (c.1435; Prado); he depicted with significant restraint the profound grief of the mourners grouped around the tragic figure of Jesus. His composition strongly affected later representations of the theme. Roger became City Painter in Brussels in 1436. He then produced a series of undated altarpieces including the Last Judgment (hospital, Beaune), the Braque Triptych (Louvre), Crucifixion with Donors (Vienna), and Adoration of the Magi (Berlin), which vary in execution from a stress on sumptuous details to a more sculptural rendering of the figures. Roger is believed to have made a pilgrimage to Italy in the holy year 1450. Whether this supposed excursion had any effect on his style is much debated. It has been shown that his Entombment (Uffizi) bears an affinity to the Tuscan treatment of the subject, particularly by Fra Angelico, and that Roger's Virgin and Child with Saints (Frankfurt) has a strong resemblance to the Italian religious art of the day. His style is, however, highly individual. His religious paintings and his portraits are characterized by a straightforward monumentality. The portraits, such as that of a young lady (National Gall. of Art, Washington, D.C.) and of Francesco d'Este (Metropolitan Mus.) exhibit a simple clarity of contour and psychological penetration. Other notable works are his St. Luke Painting the Virgin, of which a version or replica is in the Museum of Fine Arts, Boston, the Crucifixion |
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WEYDEN, Rogier van der
Deposition
c. 1435
Oil on oak panel, 220 x 262 cm
Museo del Prado, Madrid
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WEYDEN, Rogier van der
Deposition (detail)
c. 1435
Oil on oak panel
Museo del Prado, Madrid
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WEYDEN, Rogier van der
Deposition (detail)
c. 1435
Oil on oak panel
Museo del Prado, Madrid
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WEYDEN, Rogier van der
Deposition (detail)
c. 1435
Oil on oak panel
Museo del Prado, Madrid
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WEYDEN, Rogier van der
Deposition (detail)
c. 1435
Oil on oak panel
Museo del Prado, Madrid
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WEYDEN, Rogier van der
The Descent from the Cross
panel painting, 1435, Museo del Prado at Madrid
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WEYDEN, Rogier van der
The Annunciation
1435, wood, Mus??e du Louvre, Paris
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WEYDEN, Rogier van der
St. Luke Painting the Virgin Child
1435, oil and tempera on panel, Museum of Fine Arts, Boston
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WEYDEN, Rogier van der
Christ Appearing to His Mother, approx
1436, tempera and oil on wood, Metropolitan Museum of Art, New York.
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WEYDEN, Rogier van der
Portrait of a Man Holding a Book
before 1437, oil on wood, Courtauld Institute, London
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WEYDEN, Rogier van der
The Last Judgment Polyptych
1446-52
Oil on wood,
215 x 560 cm
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WEYDEN, Rogier van der
Bladelin Triptych
1445-50
Oil on oak panel,
91 x 89 cm
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WEYDEN, Rogier van der
St Columba Altarpiece
c. 1455
Oil on oak panel,
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WEYDEN, Rogier van der
Mary Altarpiece
c. 1440
Oil on oak panel
71 x 43 cm
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WEYDEN, Rogier van der
Seven Sacraments Altarpiece
1445-50
Oil on oak panel,
200 x 97 cm
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WEYDEN, Rogier van der
St Luke Drawing a Portrait of the Madonna
1435
Oil and tempera on panel,
137,7 x 110,8 cm
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WEYDEN, Rogier van der
Annunciation Triptych
c. 1440
Oil on oak panel,
86 x 92 cm
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WEYDEN, Rogier van der
St Ivo
c. 1450
OIl on oak panel,
45 x 35 cm
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WEYDEN, Rogier van der
Francesco d'Este
c. 1460
Oil on oak panel,
31,8 x 22,2 cm
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WEYDEN, Rogier van der
Portrait of Charles the Bold
c. 1460
Oil on oak panel,
49 x 32 cm
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| WEYDEN, Rogier van der
|
Netherlandish Northern Renaissance Painter, ca.1400-1464
major early Flemish master, known also as Roger de la Pasture. He is believed to have studied with Robert Campin. His early works also show the influence of Jan van Eyck. Van Eyck, however, had been a master at objective rendering of detail, whereas Roger in his work portrayed emotions with an assurance that has not been surpassed. His ability to depict piety is reflected in the early masterpiece Descent from the Cross (c.1435; Prado); he depicted with significant restraint the profound grief of the mourners grouped around the tragic figure of Jesus. His composition strongly affected later representations of the theme. Roger became City Painter in Brussels in 1436. He then produced a series of undated altarpieces including the Last Judgment (hospital, Beaune), the Braque Triptych (Louvre), Crucifixion with Donors (Vienna), and Adoration of the Magi (Berlin), which vary in execution from a stress on sumptuous details to a more sculptural rendering of the figures. Roger is believed to have made a pilgrimage to Italy in the holy year 1450. Whether this supposed excursion had any effect on his style is much debated. It has been shown that his Entombment (Uffizi) bears an affinity to the Tuscan treatment of the subject, particularly by Fra Angelico, and that Roger's Virgin and Child with Saints (Frankfurt) has a strong resemblance to the Italian religious art of the day. His style is, however, highly individual. His religious paintings and his portraits are characterized by a straightforward monumentality. The portraits, such as that of a young lady (National Gall. of Art, Washington, D.C.) and of Francesco d'Este (Metropolitan Mus.) exhibit a simple clarity of contour and psychological penetration. Other notable works are his St. Luke Painting the Virgin, of which a version or replica is in the Museum of Fine Arts, Boston, the Crucifixion
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